Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts
Saturday, December 15, 2012
Some thoughts on finishing Fyodor Dostoevsky's Crime and Punishment
1. Story - plot, characters, and action - is paramount.
a. Translated works are the best reminder than novels need more than nifty language to have legs of their own on which to stand.
b. Murder, death, insanity, sex, & scandal are all permissible to write about when done well (and in the right circumstances, are downright encouraged); the very real and raw tension of each should be exploited to their fullest if used.
2. F.D.* was the premier soap opera writer of his time.
3. As far as involuntary facial expressions go, C&P invokes one less experienced when reading modern 'serious' fiction - a sudden widening of the eyes.
a. Today's most frequent involuntary fiction-triggered facial expression is a smug twist of the lips, which I think is a pretty good example of the point David Foster Wallace is trying to make in his essay,"Joseph Frank's Dostoevsky": that the main difference between writers today and writers in D.F.'s era is that today, we as writers seem to lack earnestness, that we resort to casual irony as a self-defense, and that our very hipness and edginess is in fact a response to the fear that perhaps we won't (or fundamentally can't) be taken seriously.
4. Character is best realized as a texture, and less so as a collection or string of ideas. What makes Rodion Romanych Raskolnikov so real is not the assemblage of his personality traits (which are less intentionally-varied and distinct than those of 'exciting' characters in today's fiction), but the texture of his person as created by witnessing R.R.R. through a number of stylistic and situational lenses.
a. The monologues in particular do major work for D.F., giving his characters 3-4 pages (at minimum) to define themselves in a stylistically newish light (1st person), while still driving plot and action, the true bread & butter of D.F.'s work.
5. Upon completion, the only phrase that comes to mind to describe C&P is as follows: "That book be ill as fuck."
*In writing these notes in my journal, it became apparent that though I enjoy speaking (butchering?) Russian names aloud, I can't spell them worth a damn.
Thursday, July 26, 2012
FOR SALE: Stained Glass Wings of Shine - OR - Meditations on Throwing Yourself Against the Cold and Steely Husk of the Publishing Industry
Writing a book is difficult. It’s difficult the way
that say sawing your left and right arm off and then re-attaching your right
arm to your left nub and your right nub to your left arm is difficult – it’s
like this very barbaric process of taking yourself apart and then reassembling
the pieces, except that they don’t quite go back the way you thought they
would. You spend a long time trying to be polite to the people that ask about
the scars.
It also apparently makes you melodramatic.
It also apparently makes you melodramatic.
Okay,
so maybe writing a book isn’t all that bad, but trying to sell it to an agent
certainly is. It’s like the above process, only you for some reason decided to
film this process and are now trying to get complete strangers to watch the
video, explaining, in a sentence or two, the significance behind the fact that
you used your pinky toes to thread the needle.
Apparently
this process too reinforces melodramatic tendencies.
All
hyperbole aside, I came to an interesting realization today – it’s been just
over one year since I last attempted to hawk my book. The very first query
letter I sent was on July 13, 2011, and read as follows:
Dear Ms. B____,
Dear Ms. B____,
I should
warn you—my experience with disability, until last year, was limited to my own,
and those of my family: namely drinking, drugging, and the emotional
schizophrenia that accompanies both (you know, the whole-package deal). This
was before I spent a week with Joe, a severely autistic boy, attached to my
wrist; before I suddenly found myself responsible for his well-being; before I
went to Camp and wrote this book.
My
commercial/literary novel is titled Someone Worth knowing, and when asked about it, I usually say
something along these lines: “It’s the story of an ill-tempered, alcoholic
ginger (Good Bobby Good) who finds himself at a New Jersey summer camp for
children with autism, brain damage, and Down’s syndrome, and how he manages to
survive the week.”
And then,
because I like to talk, I’ll go on: it’s about the relationship between
disability and inability—the spotty boundary that exists between, say, a young
man with autism so sever he requires full-time care, and a slightly-less-young
man feeding an alcoholism so rampant that, left to his own devices, he will
surely destroy himself. It’s a coming of age novel, in a sense, and at no point
does it spare any of the humor, sadness, and insanity that constitute the camp
experience.
I like to
think of this novel’s style falling in the same vein as Jack Kerouac’s work
(but, you know, actually good), while my readers insist that the manuscript is
more along the lines of Jonathan Ames, Dave Eggers, and J.D. Salinger.
Whatever it
is, it will leave you laughing, brokenhearted, and perhaps slightly sunburnt.
Thank you
for your time and consideration,
etc. etc.
To give away the ending
(spoiler alert!), the book was not picked up. Skimming through several pages of
my email, it looks like I tried sending more-or-less this same letter to almost 40 agencies, and though I heard
back from a few… well, I did just give away the ending. To provide some
context, I wrote this particular letter after reading an article on an agent
that picked up a book after receiving a quirky but endearing cover letter, and
I thought it was a neat way to try and “sell” my book. I did most of my book
editing/submitting last summer while traveling through Yosemite, California and
Madrid, Spain, which is to say that I spent a lot of time with my laptop
amidst overweight and perspiring tourists as well as a family of like deeply confounded
Spaniards. My letters on the whole felt fired from the hip, not to mention ripe
with a sort of manic slavering for publication.
No wonder it didn’t go
over
So I let it go. I worked this past year, forgot about writing for what time I could, and started picking the books and pen back up when I couldn’t stay away from ‘em any longer. And of course, I came back to this book, which has since re-donned its original title: Stained Glass Wings of Shine. In going through the book, I see it’s not quite the style I’m writing in today, but it’s not the piece of garbage I pessimistically wrote it off as this winter, either. It’s actually pretty good.
So I let it go. I worked this past year, forgot about writing for what time I could, and started picking the books and pen back up when I couldn’t stay away from ‘em any longer. And of course, I came back to this book, which has since re-donned its original title: Stained Glass Wings of Shine. In going through the book, I see it’s not quite the style I’m writing in today, but it’s not the piece of garbage I pessimistically wrote it off as this winter, either. It’s actually pretty good.
So
yesterday, July 25th, I sent my first query letter for 2012. It
reads as follows:
To D____ S______,
To D____ S______,
I'm writing
on behalf of my novel, Stained Glass Wings of Shine. The book features one Good
Bobby Good, who's something of an unhinged alcoholic short in stature but tall
in heart. G.B.G. finds himself detoxing & en route to a camp for kids with
disabilities (autism, down syndrome, brain damage, etc.), where he meets Mikey
G., a 6'5" mostly-non-verbal eighteen year old kid with autism and an
inexplicable penchant for diapers. Through the course of the story, Bobby copes
with the shakes, learns to care for another human being, and even goes so far
as to confront and conquer what lies at the root of his past several years of
self-destructive behavior (well, kind of - maybe). Stained Glass Wings of Shine
is a smart, quick read, and is rich in both detail and heart - it would be an
honor to share my story with you.
As for myself,
I'm a 25 year-old Seattleite…
Etc. etc.
Etc. etc.
To be honest, I expected
to find my older letters to be more manic,
to seem completely off-the-handle crazy – I think I hoped that writing these
new ones would be a breeze in comparison. Looking at the two of them here now,
well, they’re not all that different. I’m trying to be more direct, more honest
– I’m worried less about selling the damn thing and just trying to show it as
it is. Who knows, maybe this time around, someone will ask for pages and fall
in love. Because that’s how they describe it in all those agent-interview
articles, you know – they say that the right agent reads your book and falls in
love and can’t help but to represent it.
Sounds a bit sappy to me.
Sounds a bit sappy to me.
But
in any case, I believe in this book. And if I can believe in it and share that
belief, well hell – maybe a complete stranger will too.
Monday, July 16, 2012
Last thoughts for an expiring notebook: 6/24 - 7/16
"EAT
ANY
HELP"
-sign, black marker on cardboard, Broadway
Jesus, I just saw a pigeon with orange eyes, and then another. Do all pigeons have orange eyes?
-note
"...when each day is the same as the next, it's because people fail to recognize the good things that happen in their lives every day that the sun rises."
-Paul Coelho, The Alchemist
Turns out all pigeons have orange eyes.
-note
"I preformed as a shark last night."
-overheard, park bench, Cal Anderson
I sneeze, and the woman on the bench behind me says "bless you." I have no idea what she looks like, which feels like a disadvantage. Through the back of my wool coat, I feel a strong heat coming off this woman, though I'm also fairly certain I'm running a fever by now.
-note
"Blackmoose keeping it outside."
-overheard, hipster bicycle-polo, Cal Anderson Park
"A number of panelists admitted to being so vexed by the word [banal] that they tended to avoid it in conversation."
-usage note, American Heritage Dictionary
My girlfriend insists that I meet her friends, and my immediate reaction is that I should kill myself. I might be the most selfish person I know.
-note
"I hate it when darts become questionable."
-overheard, unknown bar, unknown
...tattoo of a tie-die mouse...
-note
"I'd feel closer to you if it weren't for this giant metal wall."
-overheard, work, cubicle
"Dude, happy 4th of July duode."
"Dude, back to back World War Champions."
"Word, dude."
"Dude, right? BACK TO BACK World War Champions."
"For sure bro. We got the nukes dude."
-overheard, unknown bar urinal, unknown
...shell-breathing...
-note
Tons of addicts in this city, in all cities, but hard to notice them sometimes, interpolated in the general flow of average & unremarkable citizens, folded in. Like the few shining bits of glass in a handful of sand.
-note
"...furniture and the little niceties which are not only the diagnoses but the boundaries of our civilization."
-John Steinbeck, Cannery Row
"It means 'Celebrate America' in Vietnamese."
-overheard, unknown country club dining room, Federal Way
"First US President to ever use boss as an adjective."
-David Foster Wallace, Infinite Jest
"Kiara got a rude awakening. This shit is not no joke. Not no joke."
-overheard, daytime walk, Madison
"For there are two possible reactions to social ostracism - either a man emerges determined to be a better, purer, and kindlier or he goes bad, challenges the world and does even worse things. This last is by far the commonest reaction to stigma."
-John Steinbeck, Cannery Row
[Describing a hangover] "Doc awakened very slowly and clumsily, like a fat man getting out of a swimming pool."
-John Steinbeck, Cannery Row
"The thunder's died down to a mutter, and the window's spatter's gone to a post-storm sad."
-David Foster Wallace, Infinite Jest
Last thoughts for an expiring notebook?
Every day sober is just as hard as they were before. They're not more so, they're not less. They just are, and they probably will continue to be so.
I long for my future.
I ache for my past.
I am.
I am.
And I have to work very hard to remember that.
-note
ANY
HELP"
-sign, black marker on cardboard, Broadway
Jesus, I just saw a pigeon with orange eyes, and then another. Do all pigeons have orange eyes?
-note
"...when each day is the same as the next, it's because people fail to recognize the good things that happen in their lives every day that the sun rises."
-Paul Coelho, The Alchemist
Turns out all pigeons have orange eyes.
-note
"I preformed as a shark last night."
-overheard, park bench, Cal Anderson
I sneeze, and the woman on the bench behind me says "bless you." I have no idea what she looks like, which feels like a disadvantage. Through the back of my wool coat, I feel a strong heat coming off this woman, though I'm also fairly certain I'm running a fever by now.
-note
"Blackmoose keeping it outside."
-overheard, hipster bicycle-polo, Cal Anderson Park
"A number of panelists admitted to being so vexed by the word [banal] that they tended to avoid it in conversation."
-usage note, American Heritage Dictionary
My girlfriend insists that I meet her friends, and my immediate reaction is that I should kill myself. I might be the most selfish person I know.
-note
"I hate it when darts become questionable."
-overheard, unknown bar, unknown
...tattoo of a tie-die mouse...
-note
"I'd feel closer to you if it weren't for this giant metal wall."
-overheard, work, cubicle
"Dude, happy 4th of July duode."
"Dude, back to back World War Champions."
"Word, dude."
"Dude, right? BACK TO BACK World War Champions."
"For sure bro. We got the nukes dude."
-overheard, unknown bar urinal, unknown
...shell-breathing...
-note
Tons of addicts in this city, in all cities, but hard to notice them sometimes, interpolated in the general flow of average & unremarkable citizens, folded in. Like the few shining bits of glass in a handful of sand.
-note
"...furniture and the little niceties which are not only the diagnoses but the boundaries of our civilization."
-John Steinbeck, Cannery Row
"It means 'Celebrate America' in Vietnamese."
-overheard, unknown country club dining room, Federal Way
"First US President to ever use boss as an adjective."
-David Foster Wallace, Infinite Jest
"Kiara got a rude awakening. This shit is not no joke. Not no joke."
-overheard, daytime walk, Madison
"For there are two possible reactions to social ostracism - either a man emerges determined to be a better, purer, and kindlier or he goes bad, challenges the world and does even worse things. This last is by far the commonest reaction to stigma."
-John Steinbeck, Cannery Row
[Describing a hangover] "Doc awakened very slowly and clumsily, like a fat man getting out of a swimming pool."
-John Steinbeck, Cannery Row
"The thunder's died down to a mutter, and the window's spatter's gone to a post-storm sad."
-David Foster Wallace, Infinite Jest
Last thoughts for an expiring notebook?
Every day sober is just as hard as they were before. They're not more so, they're not less. They just are, and they probably will continue to be so.
I long for my future.
I ache for my past.
I am.
I am.
And I have to work very hard to remember that.
-note
Tuesday, June 26, 2012
I Dream of Eidetic Envy
What does it mean to be a writer reading David Foster Wallace? It means you spend an inordinate amount of time in your dictionary, for one. It means that you not only look words up, but that you write them down and - if they're less than six syllables and not an obscure medical term - you consider using them in your own work. It means you begin again to trust in compound (and in extreme cases, run-on) sentences again.
It means that you truly begin to glean what they mean by 'detail,' not as a string of descriptors or an infinite list of character qualities or every scene captured down to the split second; but as small receipts of proof that the content on the page wasn't imagined as much as lived.
It means that you need to be a better writer, and it means that in the best possible way.
It means that you truly begin to glean what they mean by 'detail,' not as a string of descriptors or an infinite list of character qualities or every scene captured down to the split second; but as small receipts of proof that the content on the page wasn't imagined as much as lived.
It means that you need to be a better writer, and it means that in the best possible way.
Labels:
David Foster Wallace,
Dictionary,
logophilia,
Writing
Sunday, October 2, 2011
Sunday in the Hollow
I was sitting in a little concrete hollow behind my building, smoking my second cigarette and trying to make sense of the day. It hadn’t been a great one. I had given a reading at Pacific Northwest Bookfest, eaten breakfast with N earlier that morning, and all afternoon I languished in bed with a book that wasn’t great, but had less than 50 pages to go. By all accounts, I should have been whistling a little tune while I had my smoke, smiling stupidly at my feet and the passers-by; as it were, I couldn’t unfold my brow, and my chest was heavy with its nesting vacuum.
In the car ride to the train station, where I would give N a hug without unbuckling myself from the car before depositing her on the sidewalk, I tried taking a couple stabs at the unhappiness lurking in my gut. It could have been the piece, I told her—I had written a little something about artists, about art, and my general contempt at the idea of both. It was arranged and voiced well enough, but I wasn’t sure where the sudden outpouring of hate had come from, or why I had felt not only the need to exercise it, but to then dress it up and show it off to a crowd that couldn’t help but feel offended.
Finally, I told her that it was probably the general discomfort, the intermittent distress that was being alive.
“Are you uncomfortable?” she asked.
“Of course,” I said, coaxing the brakes to keep us from flattening a jaywalking couple. “When I’m not feeling manic, I’m uncomfortable. But that’s just normal, I’m used to it.”
“I hate to say this, but have you thought about taking pills?”
“Sure I have.”
“And?”
“And fuck that.” That was the end of the pills conversation. We drove in silence a while. I tried tuning into the local stations, but they were spamming the airwaves with desperate donation drives. It was a goddamned conspiracy, I thought, all of them outstretching upturned palms at once so that you either had to fork out fifty bucks or drive with only the mix of traffic as auditory comfort.
“I probably shouldn’t say this,” I said finally, “but I think that someday, if I actually end up accomplishing the things I think I want to, I’ll probably kill myself.”
“No,” she said immediately, hanging on the vowel for emphasis, “you can’t say things like that. Please don’t say things like that.”
I shrugged with both hands still holding the wheel. “Why not? I don’t say that with any sadness or spite, it’s just I can kind of get why a lot of writers end up offing themselves. I mean, imagine telling yourself your whole life that everything would be better if you were recognized, if people knew and loved your work. Then you get there, and you don’t feel any different. In a way, I feel like it’s saying ‘Enough is enough. I’ve done what I’ve done, and I’m okay with that and that alone.’”
She chewed on this for a moment, along with a small bite of lower lip. “You know, not a day goes by that I’m not surprised by something.”
“And?”
“And don’t you think that’s worth something?”
“No,” I replied without consideration, “I don’t think it is.”
Sitting in the brick and plaster hollow, replaying the car ride and the empty faces at the reading, I felt the exhaustion kick back in. All afternoon I had lay in bed and still I could not sleep, so now the promise of a nap didn’t offer up any false hope.
Down to last centimeter of tobacco before the filter, I brushed a few droppings of ash from my knees, when a small humming wormed its way into my left ear. Around the building’s edge, a scooter pulled into view, a frozen explosion of synthetic flowers bursting from its every non-mechanical surface. A bouquet crested the headlamp, the back hump held sprouting sunflowers and daisies. The rider wore a handmade crown of gold standing three feet high, and more plastic flowers stretched higher still from this magnificent cap to receive the rain. On the scooter seat’s back end, standing from a thatch of ever-blooming roses, a flag with a heart in its blue-circle’s center flapped sharply in the wind. The man idled for a long time, and I allowed myself to stare. He didn’t look over, and even if he did, I don’t think I would have looked away.
I realized, after some time, that he was fumbling for a garage door control, and that he was pulling his flower-mobile into the basement lot of my building. As the gate cranked open, I said, “I like your scooter.”
“What?” He scrunched up his face, and a silver shower of raindrops fell noiselessly from his beard.
“Your getup,” I pointed, the cigarette a burning stick of fiberglass now, “I like it.”
“Well isn’t that fucking great,” he cursed, and rumbled into the dark hollows of the garage.
In the car ride to the train station, where I would give N a hug without unbuckling myself from the car before depositing her on the sidewalk, I tried taking a couple stabs at the unhappiness lurking in my gut. It could have been the piece, I told her—I had written a little something about artists, about art, and my general contempt at the idea of both. It was arranged and voiced well enough, but I wasn’t sure where the sudden outpouring of hate had come from, or why I had felt not only the need to exercise it, but to then dress it up and show it off to a crowd that couldn’t help but feel offended.
Finally, I told her that it was probably the general discomfort, the intermittent distress that was being alive.
“Are you uncomfortable?” she asked.
“Of course,” I said, coaxing the brakes to keep us from flattening a jaywalking couple. “When I’m not feeling manic, I’m uncomfortable. But that’s just normal, I’m used to it.”
“I hate to say this, but have you thought about taking pills?”
“Sure I have.”
“And?”
“And fuck that.” That was the end of the pills conversation. We drove in silence a while. I tried tuning into the local stations, but they were spamming the airwaves with desperate donation drives. It was a goddamned conspiracy, I thought, all of them outstretching upturned palms at once so that you either had to fork out fifty bucks or drive with only the mix of traffic as auditory comfort.
“I probably shouldn’t say this,” I said finally, “but I think that someday, if I actually end up accomplishing the things I think I want to, I’ll probably kill myself.”
“No,” she said immediately, hanging on the vowel for emphasis, “you can’t say things like that. Please don’t say things like that.”
I shrugged with both hands still holding the wheel. “Why not? I don’t say that with any sadness or spite, it’s just I can kind of get why a lot of writers end up offing themselves. I mean, imagine telling yourself your whole life that everything would be better if you were recognized, if people knew and loved your work. Then you get there, and you don’t feel any different. In a way, I feel like it’s saying ‘Enough is enough. I’ve done what I’ve done, and I’m okay with that and that alone.’”
She chewed on this for a moment, along with a small bite of lower lip. “You know, not a day goes by that I’m not surprised by something.”
“And?”
“And don’t you think that’s worth something?”
“No,” I replied without consideration, “I don’t think it is.”
Sitting in the brick and plaster hollow, replaying the car ride and the empty faces at the reading, I felt the exhaustion kick back in. All afternoon I had lay in bed and still I could not sleep, so now the promise of a nap didn’t offer up any false hope.
Down to last centimeter of tobacco before the filter, I brushed a few droppings of ash from my knees, when a small humming wormed its way into my left ear. Around the building’s edge, a scooter pulled into view, a frozen explosion of synthetic flowers bursting from its every non-mechanical surface. A bouquet crested the headlamp, the back hump held sprouting sunflowers and daisies. The rider wore a handmade crown of gold standing three feet high, and more plastic flowers stretched higher still from this magnificent cap to receive the rain. On the scooter seat’s back end, standing from a thatch of ever-blooming roses, a flag with a heart in its blue-circle’s center flapped sharply in the wind. The man idled for a long time, and I allowed myself to stare. He didn’t look over, and even if he did, I don’t think I would have looked away.
I realized, after some time, that he was fumbling for a garage door control, and that he was pulling his flower-mobile into the basement lot of my building. As the gate cranked open, I said, “I like your scooter.”
“What?” He scrunched up his face, and a silver shower of raindrops fell noiselessly from his beard.
“Your getup,” I pointed, the cigarette a burning stick of fiberglass now, “I like it.”
“Well isn’t that fucking great,” he cursed, and rumbled into the dark hollows of the garage.
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